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	<title>Comments for Playing Debussy's Piano Works</title>
	<atom:link href="http://stevedebussy.wordpress.com/comments/feed/" rel="self" type="application/rss+xml" />
	<link>http://stevedebussy.wordpress.com</link>
	<description>An amateur's thoughts about playing Debussy</description>
	<lastBuildDate>Tue, 20 Oct 2009 18:28:14 +0000</lastBuildDate>
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		<title>Comment on Welcome! by Steve</title>
		<link>http://stevedebussy.wordpress.com#comment-1977</link>
		<dc:creator>Steve</dc:creator>
		<pubDate>Tue, 20 Oct 2009 18:28:14 +0000</pubDate>
		<guid isPermaLink="false">#comment-1977</guid>
		<description>Wow,  a fellow pianist and astrophotographer, how awesome is that?

I&#039;ve found your reviews very interesting.  Thank you for taking the time to post it; however, there seems to be one glaring oversight, L&#039;isle Joyeuse.  I love Debussy and to me that piece is a beautiful representation of the &quot;whole-tone&quot; , voyage-into-outer-space, kind of sound.  

I&#039;m also very inspired by your review of Homage a Rameau.  Currently, my skill has limited me to some of Debussy&#039;s easier works (Heather &quot;bruyers&quot;, Delphic Dancers, Clair d&#039;lune, Reflect dans l&#039;eau) but I will certain try to tackle that one.

Best wishes,
Steve A.</description>
		<content:encoded><![CDATA[<p>Wow,  a fellow pianist and astrophotographer, how awesome is that?</p>
<p>I&#8217;ve found your reviews very interesting.  Thank you for taking the time to post it; however, there seems to be one glaring oversight, L&#8217;isle Joyeuse.  I love Debussy and to me that piece is a beautiful representation of the &#8220;whole-tone&#8221; , voyage-into-outer-space, kind of sound.  </p>
<p>I&#8217;m also very inspired by your review of Homage a Rameau.  Currently, my skill has limited me to some of Debussy&#8217;s easier works (Heather &#8220;bruyers&#8221;, Delphic Dancers, Clair d&#8217;lune, Reflect dans l&#8217;eau) but I will certain try to tackle that one.</p>
<p>Best wishes,<br />
Steve A.</p>
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		<title>Comment on Reverie (1890) by Robert</title>
		<link>http://stevedebussy.wordpress.com/2006/09/29/reverie-1890/#comment-1975</link>
		<dc:creator>Robert</dc:creator>
		<pubDate>Wed, 27 May 2009 18:27:04 +0000</pubDate>
		<guid isPermaLink="false">http://stevedebussy.wordpress.com/2006/09/29/reverie-1890/#comment-1975</guid>
		<description>This is a very nice piece and not very difficult.  I would recommend it for the intermediate student.  This is one of the only times you&#039;re going to see finger numbering and pedaling in Debussy&#039;s work, after that, you&#039;re on your own with the impossible note values and such.  If I remember correctly, Debussy didn&#039;t want this piece published.  

Reverie is the second Debussy piece I&#039;ve learned on the piano as part of my independent studies.  Maurice Dumesnil&#039;s guide to playing Debussy, which I found through this web site, has proven itself indispensable.  The pedaling is the most difficult part for me.
Upon the advice of a fellow music student, I chose the Prelude from Suite Bergamasque as my first Debussy piece.  This was a challenge compared to Reverie. Then these two pieces became part of my daily repertoire and I couldn&#039;t ignore the similarities between the two; namely, Bb-C-D-G / G-D-C-Bb.  These types of similarities remind me of Schumann&#039;s Sphinxes, musical phrases with symbolist meaning.  It&#039;s nice to imagine a time before electrical distractions, when more people appreciated these things.</description>
		<content:encoded><![CDATA[<p>This is a very nice piece and not very difficult.  I would recommend it for the intermediate student.  This is one of the only times you&#8217;re going to see finger numbering and pedaling in Debussy&#8217;s work, after that, you&#8217;re on your own with the impossible note values and such.  If I remember correctly, Debussy didn&#8217;t want this piece published.  </p>
<p>Reverie is the second Debussy piece I&#8217;ve learned on the piano as part of my independent studies.  Maurice Dumesnil&#8217;s guide to playing Debussy, which I found through this web site, has proven itself indispensable.  The pedaling is the most difficult part for me.<br />
Upon the advice of a fellow music student, I chose the Prelude from Suite Bergamasque as my first Debussy piece.  This was a challenge compared to Reverie. Then these two pieces became part of my daily repertoire and I couldn&#8217;t ignore the similarities between the two; namely, Bb-C-D-G / G-D-C-Bb.  These types of similarities remind me of Schumann&#8217;s Sphinxes, musical phrases with symbolist meaning.  It&#8217;s nice to imagine a time before electrical distractions, when more people appreciated these things.</p>
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		<title>Comment on Welcome! by cristiane</title>
		<link>http://stevedebussy.wordpress.com#comment-1974</link>
		<dc:creator>cristiane</dc:creator>
		<pubDate>Tue, 21 Apr 2009 04:47:38 +0000</pubDate>
		<guid isPermaLink="false">#comment-1974</guid>
		<description>hello! I&#039;m looking for an analysis of Les Collines d&#039;Anacapri. i&#039;d really like to understand how it wrks, it&#039;s so beautiful!

by the way... how often do you usually update this blog? i&#039;m REALLY interested in it, i&#039;ve read about the arabesque I and i think you&#039;re doing a great job!</description>
		<content:encoded><![CDATA[<p>hello! I&#8217;m looking for an analysis of Les Collines d&#8217;Anacapri. i&#8217;d really like to understand how it wrks, it&#8217;s so beautiful!</p>
<p>by the way&#8230; how often do you usually update this blog? i&#8217;m REALLY interested in it, i&#8217;ve read about the arabesque I and i think you&#8217;re doing a great job!</p>
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		<title>Comment on Pagodes (Estampes, 1903) by Luke</title>
		<link>http://stevedebussy.wordpress.com/2006/09/29/pagodes-estampes-1903/#comment-1973</link>
		<dc:creator>Luke</dc:creator>
		<pubDate>Fri, 17 Apr 2009 12:53:46 +0000</pubDate>
		<guid isPermaLink="false">http://stevedebussy.wordpress.com/2006/09/29/pagodes-estampes-1903/#comment-1973</guid>
		<description>Thankyou for this infomation it really helped me with dome GCSE music revision I have.</description>
		<content:encoded><![CDATA[<p>Thankyou for this infomation it really helped me with dome GCSE music revision I have.</p>
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		<title>Comment on Welcome! by Prospero</title>
		<link>http://stevedebussy.wordpress.com#comment-1971</link>
		<dc:creator>Prospero</dc:creator>
		<pubDate>Tue, 10 Feb 2009 15:15:28 +0000</pubDate>
		<guid isPermaLink="false">#comment-1971</guid>
		<description>This blog is wonderful. Debussy is one of my primary musical obsessions... Right now, when I&#039;m writing this, I&#039;m listening to Debussy&#039;s Sarabande. It is always a pleasure to hear someone play Debussy, especially when he is good. Greetins!</description>
		<content:encoded><![CDATA[<p>This blog is wonderful. Debussy is one of my primary musical obsessions&#8230; Right now, when I&#8217;m writing this, I&#8217;m listening to Debussy&#8217;s Sarabande. It is always a pleasure to hear someone play Debussy, especially when he is good. Greetins!</p>
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		<title>Comment on Prelude (Suite Bergemasque, 1890 &#8211; 1905) by Rob M.</title>
		<link>http://stevedebussy.wordpress.com/2006/09/29/prelude-suite-bergemasque-1890-1905/#comment-1970</link>
		<dc:creator>Rob M.</dc:creator>
		<pubDate>Fri, 16 Jan 2009 20:14:53 +0000</pubDate>
		<guid isPermaLink="false">http://stevedebussy.wordpress.com/2006/09/29/prelude-suite-bergemasque-1890-1905/#comment-1970</guid>
		<description>I&#039;ve just started on this piece.  I was told it was the best place for an early-advanced piano student to start with Debussy.  I&#039;m not so sure I believe that now.
I find that it does, in it&#039;s own way, paint a vivid picture and conveys the opera-like emotional journey that Debussy is known for.  
All these elements make playing it a challenge, one that compels us to play it, I suppose. Where I would usually just do a chord analysis of a piece before starting it, I also do a dynamics analysis- and often, rhythm and fingering analysis.  

So I just found your web site while searching for Debussy analysis.  I&#039;ll be back.</description>
		<content:encoded><![CDATA[<p>I&#8217;ve just started on this piece.  I was told it was the best place for an early-advanced piano student to start with Debussy.  I&#8217;m not so sure I believe that now.<br />
I find that it does, in it&#8217;s own way, paint a vivid picture and conveys the opera-like emotional journey that Debussy is known for.<br />
All these elements make playing it a challenge, one that compels us to play it, I suppose. Where I would usually just do a chord analysis of a piece before starting it, I also do a dynamics analysis- and often, rhythm and fingering analysis.  </p>
<p>So I just found your web site while searching for Debussy analysis.  I&#8217;ll be back.</p>
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		<title>Comment on Welcome! by ptang</title>
		<link>http://stevedebussy.wordpress.com#comment-1969</link>
		<dc:creator>ptang</dc:creator>
		<pubDate>Sat, 22 Nov 2008 10:07:20 +0000</pubDate>
		<guid isPermaLink="false">#comment-1969</guid>
		<description>Hello Steven, do you know where i can find an analysis for debussy&#039;s preludes book 2 no.6 and 9? any information will be thoroughly helpful, thanks.</description>
		<content:encoded><![CDATA[<p>Hello Steven, do you know where i can find an analysis for debussy&#8217;s preludes book 2 no.6 and 9? any information will be thoroughly helpful, thanks.</p>
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		<title>Comment on First Arabesque (Deux Arabesques, 1888) by Brittany</title>
		<link>http://stevedebussy.wordpress.com/2006/09/29/first-arabesque-deux-arabesques-1888/#comment-1968</link>
		<dc:creator>Brittany</dc:creator>
		<pubDate>Mon, 13 Oct 2008 04:22:24 +0000</pubDate>
		<guid isPermaLink="false">http://stevedebussy.wordpress.com/2006/09/29/first-arabesque-deux-arabesques-1888/#comment-1968</guid>
		<description>I&#039;m learning this piece right now, your interpretation really helped, thank you!</description>
		<content:encoded><![CDATA[<p>I&#8217;m learning this piece right now, your interpretation really helped, thank you!</p>
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		<title>Comment on The golliwogg&#8217;s cake-walk (Children&#8217;s Corner 1906-1908) by Catherine C</title>
		<link>http://stevedebussy.wordpress.com/2006/09/29/the-golliwoggs-cake-walk-childrens-corner-1906-1908/#comment-1967</link>
		<dc:creator>Catherine C</dc:creator>
		<pubDate>Fri, 11 Jul 2008 01:21:33 +0000</pubDate>
		<guid isPermaLink="false">http://stevedebussy.wordpress.com/2006/09/29/the-golliwoggs-cake-walk-childrens-corner-1906-1908/#comment-1967</guid>
		<description>Very much enjoying your site.
Just wondering if you have run across Rachmaninoff&#039;s performance of Golliwogg&#039;s Cakewalk, which can be found on youtube.  His rendition is interesting - I thought it came up with a couple of unexpected interpretations.</description>
		<content:encoded><![CDATA[<p>Very much enjoying your site.<br />
Just wondering if you have run across Rachmaninoff&#8217;s performance of Golliwogg&#8217;s Cakewalk, which can be found on youtube.  His rendition is interesting &#8211; I thought it came up with a couple of unexpected interpretations.</p>
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		<title>Comment on Welcome! by Fritz</title>
		<link>http://stevedebussy.wordpress.com#comment-1965</link>
		<dc:creator>Fritz</dc:creator>
		<pubDate>Thu, 05 Jun 2008 21:51:17 +0000</pubDate>
		<guid isPermaLink="false">#comment-1965</guid>
		<description>Hello

I am looking for an analysis of Debussy&#039;s Rapsodie for Saxophone and Orchestra. Do youhave any idea where to get a hold of this?
Fritz (Switzerland)</description>
		<content:encoded><![CDATA[<p>Hello</p>
<p>I am looking for an analysis of Debussy&#8217;s Rapsodie for Saxophone and Orchestra. Do youhave any idea where to get a hold of this?<br />
Fritz (Switzerland)</p>
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